*고대 터키의 심장에 세워진 혁신적 건축물, Çatalhöyük 방문자 센터 Teğet creates timber visitor centre for Turkish archaeological site

반응형

고대 터키의 심장에 세워진 혁신적 건축물, Çatalhöyük 방문자 센터

-역사적 중요성과 위치
Çatalhöyük은 기원전 8세기까지 거슬러 올라가는 세계에서 가장 오래된 고대 유적지 중 하나이다. 이 방문자 센터는 터키 중앙에 위치해 고대 유적지를 효과적으로 지원한다.

-디자인 철학과 영감
Teğet의 디자인은 신석기 시대 정착지의 공간 구성을 반영하여 남부 아나톨리아의 배치를 모방했다. 이 디자인은 고대 배치 모방을 통해 방문객과 고고학자들이 유적지의 역사적 요소들과 상호작용을 개선하도록 돕는다.

-건축 배치 및 특징
센터는 중앙 안뜰을 둘러싸는 세 개의 목조 구조물로 구성된다. 가장 큰 건물은 U자형 전시 홀로 덮인 테라스를 가지고 있다. 다목적 홀은 국제 워크숍 및 이벤트를 위한 장소로 사용되며, 글로벌 참여를 촉진한다. 22미터 높이의 목조 타워는 고고학적 언덕과 주변 평야의 파노라마 뷰를 제공하며, 방문자 경험을 극대화한다. 타워 기슭에 위치한 카페는 목조 프레임의 유리창과 문을 통해 다른 건물과의 시각적 연결을 제공한다.

-기능성과 방문자 경험
이 프로젝트의 핵심인 중앙 안뜰은 방문자 상호작용과 참여를 촉진한다. 삼각형 모양의 안뜰과 테라스는 건물들을 연결하고 보행자 다리로 언덕으로 이어진다. 이와 같은 디자인은 방문자 경험을 풍부하게 만든다.

-구조적 고려 사항
건물들은 고대 유적지에 대한 영향을 최소화하기 위해 지상에서 1미터 높이로 얇은 콘크리트 기초 위에 세워졌다. 경량 목재 사용은 고대 역사와 대조를 이루며 지면 방해를 최소화한다.

-재료와 환경 조화
아나톨리아 풍경과 조화를 이루기 위해 목재 구조물을 선택하여 주변의 흙벽돌 건물들과 대조를 이루면서도 잘 어울린다. 지속 가능성을 고려한 디자인은 환경적 민감성을 반영한다.


Teğet의 Çatalhöyük 방문자 센터는 고대 유적지를 현대 건축과 통합하여 다이내믹하고 몰입적인 환경을 조성한다. 이 센터는 인류의 가장 오래된 정착지 중 하나에서 교육적이고 문화적인 경험을 향상시키며 지속 가능한 발전을 지향한다.

translate by Chagpt

반응형


Three wooden buildings arranged around a courtyard make up Çatalhöyük Visitor Center, which Istanbul studio Teğet has created on a Neolithic archaeological site in central Turkey.

Commissioned by the local municipality, the visitor centre is located at Çatalhöyük –the site of one of the world's oldest known settlements, which dates back to the eighth century BC.

Teğet's design of three buildings and a courtyard is based on the layout of the old settlement in southern Anatolia and aims to improve the visitor experience for both the public and archaeologists.

"Our articulation strategy was based on the existing or pre-existing elements on-site," Teğet told Dezeen.

"We don't define Çatalhöyük Visitor Center as a museum or an exhibition building, but as a spine that organises the experience and movement of visitors in relation to the existing elements on site," Teğet continued.


"The existing conditions were not fulfilling for the main users, archaeologists, but the program strategy also looks to embrace visitors in order to support Çatalhöyük excavations and create a more dynamic atmosphere," it continued.

"The central courtyard is the core of the project as it is the encounter area of all three programs."

Çatalhöyük Visitor Center's largest building is a U shaped exhibition space, which mirrors an existing building on site and is complete with covered terraces.

The second building hosts a large multipurpose hall designed to accommodate a variety of international workshops and events.

To the east, a 22-metre high wooden tower rises above the centre to provide visitors with views over the two archaeological mounds of the ancient settlement and across the adjacent plains.

At its base, a wrap around terrace on the ground floor hosts a visitor cafe, with visual connections to the other buildings through the timber-framed glass windows and doors.

The sunken triangular courtyard and a series of terraces connect the three buildings. These terraces continue away from the main centre, stretching into two separate pedestrian bridges to the mounds.

The timber buildings are elevated one metre above ground on thin concrete footings, designed to be lightweight and minimise damage to the historic ground.

"In contrast to the weight of the 9000-year old collective memory and cultural accumulation of Çatalhöyük, we preferred a light and modest structural system to contact the ground as little as possible," Teğet explained.

According to the studio, the timber also "harmonises with the vast silence and imagery of the Anatolian landscape", while standing out from the nearby buildings constructed from adobe.

Other projects recently completed in Turkey include one of Europe's largest solar farm hubs, designed by Istanbul studio Bilgin Architects with a shimmering steel facade.

For the US Embassy in Ankara, Ennead Architects created a layout and material palette that evokes traditional Turkish buildings in an effort to "balance openness and security".

from dezeen

댓글

Designed by JB FACTORY