The project, whose morphology attempts to break away from the initial geometric input, is a barnacle-like structure that continues the current architectural discourse of integrating form, growth, and behavior. The tendency is to cross over from architecture to biology, creating a self-organized structure but retain design control through use of different software and digital tools. Conceived and fabricated by Matsys Designs, Chrystalis (III) sculpture is in line with the studio’s previous work, as it explores emergent relationships between architecture, engineering, biology, and computation.
The cells are
organized across an underlying substrate plane. They shift and slide
across the surface as they attempt to find a more balanced packed state
through the use of a relaxed spring network constrained to the surface.
Each cell is composed of two parts: a cone-like outer surface made from
cherry veneer and a non-planer inner plate made from poplar veneer that
stresses the outer cone into shape. Each of the 1000 cell components are
unfolded flat in the digital model, digitally fabricated, and hand assembled.
Size: 190cm x 90cm x 90cm
Materials: Composite paper-backed wood veneers from Lenderink Technologies. Cherry veneer (exterior) and poplar veneer (interior).
Tools: Grasshopper, Kangaroo, Python, Lunchbox, Rhinoscript
Location: Permanent Collection of the Centre Pompidou, Paris, France
Exhibition: Multiversites Creatives, May 2 – August 6, 2012
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