과거는 대지가 되고 현재는 건물의 지붕이 되어 자연스럽게
대지와 건물이 하나가 된다.
그 흐름은 다시 유기적인 구조체를 따라 내부 공간으로
흐른다. 이것은 마치 코쿤과 같은 내부공간을 연출시키는데
과거의 공간을 재구성하는 느낌을 받게 한다.
관람자의 동선이 시간여행을 하듯 과거와 현재를
넘나들며 과거로 부터의 반성과 회안을 느끼게 한다.
지상층에 있지만 마치 지하층에 있는 듯한
느낌이 받게되는 독특한 입면과 단면계획 또한
어둠이 주는 공포와 경계를 관람자에게
주어 그 당시를 각인시키는 중요한 역활을 한다.
In 2010 the LAMH (Los Angeles Museum of the Holocaust) was completed, created by Belzberg Architects. This project covering an approximate area of 32,000 sqft, has been designed with a great sensitivity and an even greater need to capture the essence of its displays through, form, structure, light and circulation. The architecture plays a primal role in the emotional journey that its visitors are ready to commence, taking them form past to present.
As one keeps stepping down to commence his journey the lighting dims even more and the ceiling lowers. The design intent is to allegorically relate the visitor’s chronological experience of the building to that of Holocaust victims. In order to achieve this, the experience of the building is largely dictated by the timeline of a visitor’s passage from point of arrival through to his/her ascension back to park level. This emotional journey is designated by the architectural structure indicating the sensitivity of the space and embracing you in its interiors.
The museum is located in a public park adjacent to the existing Holocaust Memorial. The building is submerged into the ground allowing the park’s landscape to continue over the roof of the structure. This eco-structural element is one of the largest intensive green roofs in Southern California, which instantly creates sensitivity and an understanding to its surroundings. The journey to the LAMH begins with a day in the outdoors passing by children playing football, hearing laughter and observing motions and activities. Upon arrival the building is almost concealed into the landscape and the visitor is surprised and anxious to discover the journey that lies ahead. The actual entrance into the museum entails a gradual deterioration by a descending long ramp into the lower level. With this gradual journey to the levels below ground, you move from the planes of openness and movement of the outside world into the secluded and isolated spaces of the indoors.
The main and sole architectural materials used in this building are
formed shorcrete and glass. The passages through the irregular form
openings almost make you feel like you are in a cocoon like space. A
separation from the outside world but not a claustrophobic or
intimidating one. This has been achieved by the use of these two prime
materials which are simplistic and balanced between fragility and
solidity. There is an absolute harmony between the form of the
architecture and the materials used to implement this.
From the first room that you are guided to titled ‘The War that Was’ to the fourth titled ‘Concentration Camp’ the lighting is almost scarce and the room is almost entirely illuminated by video monitors, the visitor is now confined to the most isolated, darkest and volumetrically concentrated underground area in the museum. Now from here on the journey is one of ascension and of finding the comfort of a familiar space as floor levels begin to rise and natural lights begins to penetrate the interior once again. Your journey has started from the past at the lowest and darkest level and now it is gradually moving you towards the present. The intended purpose is not for the visitor to live the museum feeling emotionally drained and dark. By ascending up to the existing monument filled with sights and sounds of the unrestricted park land, the visitor feels the visual connection and is left with a lasting impression of the journey which is now looking into the future.
In such a delicate themed architectural project Belzberg Architects have paid great tribute to the essence of this museum, while at the same time giving respect and hope to all its visitors. A structure that does not want to emotionally drain you. A building that takes you into the future by remembering the past and paying great attention to the present.
Project Type: Cultural
Construction Type: New
Size: 27,000 ft2
Location: 100 South The Grove Drive, Los Angeles, CA 90036
Client(s): Los Angeles Museum of the Holocaust
President: Randy Schoenberg
Director: Mark Rothman
Design Architect: Belzberg Architects
Principal: Hagy Belzberg
Project Manager: Aaron Leppanen
Project Team: Andrew Atwood, Barry Gartin, Brock DeSmit, Carina Bien-Wilner , Christopher Arntzen, Cory Taylor, Daniel Rentsch, David Cheung, Eric Stimmel, Erik Sollom, Justin Brechtel, Philip Lee, Lauren Zuzack
Structural Consultant: William Koh & Associates
Mechanical Consultant: John Dorius & Associates
Electrical Consultant :A&F Consulting Engineers
Plumbing Consultant: Tom Nasrollahi & Associates
Soils Engineer: Irvine Geotechnical
Methane Engineer: Carlin Environmental
Environmental Engineer: Enviropro, Inc.
General Contractor: Winters-Schram
Special Fabrication: Spectrum Oak Products, Swiss Woodworking
Photography: Belzberg Architects, Benny Chan - Fotoworks, Iwan Baan
Awards: 2008 (Mayor’s Award) Allen Matkins Green Building Design Concept Award, Sponsoring Organization: Los Angeles Business Council
'ETC.REF. > Architecture' 카테고리의 다른 글
|*칼츠버그 친환경 아파트 [ Matteo Thun ] Edel_Weiss Residences (0)||2011.03.27|
|*시크릿 현빈집보다 좋다, 스페인 콘크리트 하우스 [ Iñaqui Carnicero ] Pitch’s House (0)||2011.03.25|
|* 홀로코스트 박물관 [ Belzberg Architects ] LAMH_Los Angeles Museum of the Holocaust (0)||2011.03.22|
|* 세상끝에서 성스러운 빛으로 인도하다 [ Pedro Maurício Borges ] Capela de Santa Filomena (0)||2011.03.21|
|*토폴로지 디자인 아이스 링크 [ BIG architects ] ice hockey rink in umea (0)||2011.03.18|
|*폴딩 타공메탈 하우스 외피 시스템 제안 [ arquitectura rifa ] AA2241 (0)||2011.03.17|
이 글을 공유하기