체육관을 리노베이션하여 가정용 전자상거래 브랜드인 WoW의 연구실로 탈바꿈하였다. 이 실혐실은 WoW의 오프라인 체험 센터인데, 이 곳에는 유 팅 (Yu Ting)과 우토피아 랩 (Wutopia Lab)의 홍보 및 생활 기능 추구가 필요했다.
도시 공공 공간을 자극해야하는 인테리어 디자인에 있어, 레드로 건물에 채도를 높이고, 건물 모든 면을 검은색으로 채색하고 파란색으로 데코함으로써 건물에 절제된 섹시함을 남겼다.
Owner of the famous architectural design company, UDG, invited us to rebuild a gym into a WoW lab. WoW is a household E-commerce brand, and this laboratory is WoW’s offline experience center. Why an architect with hundreds of architect employees wants to find an atypical architect to design his carefully cultivated cross-border brand? According to director Bo, Yu Ting and Wutopia Lab’s pursuit of publicity and life feature is what the lifestyle brand-WoW Lab needs.
Architects: Wutopia Lab
Location: No. 6555 Boyuan Road, Jiading District, Shanghai, China, 201804, Shanghai, China
Chief Architect: Ting Yu
Project Architect: Bob Hu
Photography: CreatAR Images (Qing Ai, Kai-Cheng Shi), Momo Chen
Area: 180.0 m2
Project Year: 2017
Photographs: CreatAR Images & Momo Chen
Interior design should stimulate the city public space
The gym’s current situation is a glass box. Transparent glass creates an open illusion, but is actually a cell which we want to break. We see WoW Lab as a complex system that grows, it needs to break through its own boundaries. We first set up a distinct entrance on the south side, directly lead the south main road traffic into the laboratory, followed by retaining the north side entrance, once again used fixed furniture to separate the exhibition hall and the office area to keep the aisle in between.
On the east side we used a cantilevered transparent glass space to break the building interface to reach the east side woods. Finally, we studied the roof of the building, decided to design a miniature atrium with a lift inside. People could break through the ceiling to occupy the roof and overlook KongJiang road.
According to YU Ting, ‘In my painting study, the Chinese Yuan Dynasty landscape ink and German expressionist emotional color is two important models. During the long-term modernist architecture education, I slowly isolated colors outside the architectural design. Starting with the Instant Red, I re-tried to use highly saturated colors onto buildings, thus brought the expression of German expressionism back into my heart. In Ergeng Headquarter in SH, I tried to paint all sides of the building into black, embellishing with a blue of high saturation to let the building has a temperance sexy. So in the following One person's Gallery and the Underground Forest in Onepark Gubei, I used black in a large scale.
hite can reflect all the bad things and create a kind of purity, black, on the other hand is to absorb all the bad things and create a temptation, this is fascinating. WoW Lab LOGO's base color is black and bright yellow, so I used these two colors to shape the basic background of the interior. In the back of the house there is a redundant small corner, echoing the bright green outside, I decided to use its contrast color red.’
An interior can be a miniature city
WoW Lab’s essence is firstly a furniture exhibition hall, the architect decided to use furniture to create a miniature city. The city should consist squares, commercial streets, terraces, elevators, large steps, street facades, skyline and some edge spaces. The architect tried to experiment some conclusions of the book “A Pattern Language " with the design and combination of furniture.
The architect designed three sets of fixed furniture, the first set is the cabinets which used translucent acrylic backboards to express the street continuous facade and urban skyline. In recent series of works, the architect continued to test translucent on the interface. He noticed that the interface could be closed by luminous beams, or it can be semi-open due to the dissolve of shadow. This kind of interface possesses multiple meanings. The architect wants the city interface to be so.
We designed the acrylic cabinet as a unit with a triangular top. These units can be separated into different areas by needs. As the traditional Chinese screens, this is which furniture redefines spaces.
The second set of fixed furniture is partition the of exhibition hall and office area. When the furniture’s leafs and concealed cabinets are closed, it is a common wall closet used as partition. When the concealed cabinets and the leafs are open, this is a display area. The third set and the first and second sets of furniture defined the so-called terminal of the commercial street, it is not only a display but also a seat and a facade. But that is still not enough.
Bo Xi put a prototyped chair which Alva Alto gave the carpenter on top of the transparent glass house. The chair - which was brushed into red by the carpenter's own idea – redefined the glass house into a space for people to daze and think next to the outdoor branches. So that this space can be separated from the main space and exist independently.
A chair and a coffee table are placed on the lift, thus the traffic space can be defined as a movable rest space. When the platform slowly gets out of the roof, glass ceilings reflect the person’s own body as the lake surface, this is a moment of absence. I think, if this could be just one person's afternoon tea, then how lonely it is.
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