건축공간은 사람과 자연을 연결하는 가교역활을 수행합니다.
그렇게 뮤지엄은 자기 자리를 마을 주민들에게 겸허히 공용의 공간으로
내어 줍니다. 공용공간으로 형성된 마을의 커다란 퍼블릭 플라자는
마을의 중요한 커뮤니티 장소로써 다양한 이벤트와 놀이 그리고
휴식처로 활용됩니다. 여기에 광장아래로 보이는 계곡의 드라마틱한 뷰는 주민들과
이곳을 찾는 이들에게 주는 보너스 입니다. 그렇습니다. 공간의 비움은
건축에 대한 여유로움과 플렉서블을 만들어 냅니다.
그렇기때문에 지면과 대비되는 극적인 다이나믹함도 얻을 수 있고
뮤지엄만의 독특한 캐릭터로 만들 수 있습니다.
무조건 채우는 것이 능사는 아닙니다.
조그만 자연에게 양보하면 더 큰 공간을 얻을 수 있습니다.
reviewed by SJ
In this project, architecture contributes to bringing people to the natural environment. The Museum features a large plaza that characterizes the building. The development of this area was vital to connecting the building to the environment. It arose from the idea to strengthen the relationship between the town and the natural landscape that exists around the museum. The plaza gives a public space to the town, it is a place where people can eat and enjoy the landscape which is particularly striking for the site lies next to a dry river bed known in as the “Barranco del Infierno”. Deep cuts are carved into the ground from the deluges of rain that occur between dry seasons, the barranco remains dry for a majority of the year- a place of dramatic earth formations and rocks shaped by the yearly waters.
The top of the building frames the plaza, where the cafe is located. This volume is made of white concrete which overlooks the plaza like a church overlooking a city. The building uses light colors and contained geometry. The location and design frame the existing layout, while respecting its historic configuration.
The volumes enclose Plaza de España to create an intimate square, at the same time offering visuals of the gully. The project is based on an open-plan ground floor and lays out the rest of the programme on platforms that are terraced to offer the best vistas.
The entire surface of the square is freed up and has a clear visual and functional relation with the gully. It combines the function of the square as a place of sociability, a place to see and be seen, like the Greek agora, and as an open-air theatre with the landscape as a backdrop. In this way, the town of Adeje overlooks the gully: its own sea—a sea on which it has traditionally turned its back.
The exhibition spaces (ethnological museum, museum of photography and museum of sacred art) belong to a telluric world in which overhead light drawn in through a winding itinerary gives free rein to the sensations. Itineraries reminiscent of the cave, perhaps evoking the Resurrection. A blend between a sacred place and a museum, both, curiously, places to find—or to even lose—oneself.
According to the citizens of Adeje, the new square perfectly fulfills the objectives determined by the municipality. It was outstanding that the proposal had to put the historical setting of the town in importance, constituted by two very emblematic and historical buildings: the franciscan Convent and the Church Santa Úrsula, who frame the square at both sides.
But above all, the reformation of the square supposes a very important dynamical approach of the historic centre of Adeje. Its multifunctional capacity has allowed to celebrate many different outdoor events, with the magnificent landscape of the cliff in the scene's background, donating an equipment to the municipality that was lacking before.
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